This surprising study draws together the disparate fields of postcolonial theory and book history in a challenging and illuminating way. Robert Fraser proposes that we now look beyond the traditional methods of the Anglo-European bibliographic paradigm, and learn to appreciate instead the diversity of shapes that verbal expression has assumed across different societies. This change of attitude will encourage students and researchers to question developmentally conceived models of communication, and move instead to a re-formulation of just what is meant by a book, an author, a text. Fraser illustrates his combined approach with comparative case studies of print, script and speech cultures in South Asia and Africa, before panning out to examine conflicts and paradoxes arising in parallel contexts. The re-orientation of approach and the freshness of view offered by this volume will foster understanding and creative collaboration between scholars of different outlooks, while offering a radical critique to those identified in its concluding section as purveyors of global literary power.

This second edition of Ian Gordon's A Preface to Pope places the poet within the social, cultural and intellectual context of his time. It throws new light on the theoretical and imaginative structures of Pope's poetry focusing on the linguistic complexity at its centre. It offers a critical survey of his work and also contains introductory essays. The book concludes with a reference section which includes indispensible information on places and people in Pope's poetry, together with a glossary of technical terms and a guide to further reading.

This second edition of Ian Gordon's A Preface to Pope places the poet within the social, cultural and intellectual context of his time. It throws new light on the theoretical and imaginative structures of Pope's poetry focusing on the linguistic complexity at its centre. It offers a critical survey of his work and also contains introductory essays. The book concludes with a reference section which includes indispensible information on places and people in Pope's poetry, together with a glossary of technical terms and a guide to further reading.

Robert Fraser stresses the conciliating force of Ben Okri's writing and his vision of an ideal community beyond the strife-ridden present. This is the first ever full-length study of Ben Okri's life and work based on twenty years of friendship and close attention to his texts. It argues that his writing is best appreciated against the background of his early exposure to the Nigerian Civil War (1967-70) and his attempts since then to forge a medium of conciliation through literature. We live by stories, Okri once wrote, We also live in them. Following him from Lagos to London and from obscurity to recognition, Fraser interprets Okri's successive books as refashionings of this inner and outer narrative space by strenuous imagining and generous exhortation. Okri's fiction, essays and poems beckon us through the shabby but vibrant streets of our strife-ridden metropolis towards a potential city of justice, sincerity and peace.

Examines West African poetry in English and French against the background of oral poetry in the vernacular. Surveys the transformation of the oral tradition to written form and the subsequent development of new movements negritude, nationalism and dissent.

Late Victorian quest romance has recently attracted renewed attention from critics. Much of this interest has centred on its politics of gender, and its vision of Empire. This book prefers to view the genre in the light of debates within the then nascent sciences of Anthropology and Archaeology. Starting with a discussion of the nature of romance, it goes on to interpret the encounters with lost or buried pasts. By describing encounters with remote places and times, so it argues, these authors were asking their readers disconcerting questions about humankind, and about their own culture's institutions and beliefs. The book ends by considering the implications of such a view for the whole colonial enterprise.

This surprising study draws together the disparate fields of postcolonial theory and book history in a challenging and illuminating way. Robert Fraser proposes that we now look beyond the traditional methods of the Anglo-European bibliographic paradigm, and learn to appreciate instead the diversity of shapes that verbal expression has assumed across different societies. This change of attitude will encourage students and researchers to question developmentally conceived models of communication, and move instead to a re-formulation of just what is meant by a book, an author, a text. Fraser illustrates his combined approach with comparative case studies of print, script and speech cultures in South Asia and Africa, before panning out to examine conflicts and paradoxes arising in parallel contexts. The re-orientation of approach and the freshness of view offered by this volume will foster understanding and creative collaboration between scholars of different outlooks, while offering a radical critique to those identified in its concluding section as purveyors of global literary power.

A classic study of the beliefs and institutions of mankind, and the progress through magic and religion to scientific thought, The Golden Bough has a unique status in modern anthropology and literature. First published in 1890, The Golden Bough was eventually issued in a twelve-volume edition (1906-15) which was abridged in 1922 by the author and his wife. That abridgement has never been reconsidered for a modern audience. In it some of the more controversial passages were dropped, including Frazer's daring speculations on the Crucifixion of Christ. For the first time this one-volume edition restores Frazer's bolder theories and sets them within the framework of a valuable introduction and notes. A seminal work of modern anthropolgy, The Golden Bough also influenced many twentieth-century writers, including D H Lawrence, T S Eliot, and Wyndham Lewis. Its discussion of magical types, the sacrificial killing of kings, the dying god, and the scapegoat is given fresh pertinence in this new edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Marrying life-writing with classical reception, this book examines ancient biography and its impact on subsequent ages. Close readings of ancient texts are framed by an assessment of their influence on the age of the French Revolution and Napoleon, and on the nineteenth, twentieth, and twenty-first centuries, of responses to ancient biography of modern critics, and of its visible legacy in art and film. Crucially it asks what modern biographers can learn from their ancient predecessors. Are the challenges involved in life-writing still the same? Have working methods changed, and in what ways? What in the context of biographical writing is truth, and how are its interests best served? How is it possible, now as then, honestly to convey a life?

This book focuses on the twin arts of literature and music, supporting the notion that cosmopolitanism is the natural condition of all the arts, and that all culture - without exception - is migrant culture. It draws on examples ranging from the first to the twenty-first centuries AD, on locations as remote as Alexandria and Australia, on writers as different as Virgil and V.S.Naipaul, Arnold and Achebe, and on musicians as diverse as Bach and Bartok, Purcell and Steve Reich. Across thirteen chapters, the study explores the interpenetration of all forms of human expression, the fallacy of 'national' traditions and limiting conceptions of regional character. The result is an exploration of artistic and intellectual endeavour that is particularly welcome in the current political climate, encouraging us to view history in ways informed by our contemporary demographic and cultural concerns. Taken either as a series of interrelated case studies, or else as an evolving and sequential argument, this book is vital reading for scholars of music, literature, and cultural and social history.

This is a new release of the original 1936 edition.